German contralto Stine Marie Fischer made her debut at the Staatsoper Stuttgart in Rihm’s Jakob Lenz in 2014 and was invited the year after to join the ensemble. Her repertoire in Stuttgart includes Princess Clarice/ The Love for Three Oranges, Polina/ The Queen of Spades, Dryade/ Ariadne on Naxos, Page/ Salome, Annina/ Der Rosenkavalier, Bradamante/ Alcina, Maddalena/ Rigoletto, 3.Dame/ Die Zauberflöte, Öffentliche Meinung/ Orpheus in der Unterwelt, Maid in Boesmans’ Reigen and 3.Hofdame in H. W. Henze's The Prince of Homburg. Her new roles in 2019/2020 include the title role of Carmen, Holofernes/ Juditha triumphans and Schenkwirtin/ Boris Godunov.
Stine Marie Fischer is since 2010 a regular guest at Oper Frankfurt. She has appeared in the productions of Reimann’s Die Gespenstersonate, Ariadne auf Naxos, Rigoletto, Die Zauberflöte, Die Walküre and Novak’s An unserem Fluss (world premiere in 2015). She debuted at the Monte Carlo Opera as Flosshilde/ Das Rheingold in 2013, at the La Monnaie in Brussels in 2015, at the Deutsche Oper am Rhein and at the Staatsoper Berlin in 2017. In 2018/2019 she returned to La Monnaie as Tkachicha in Rimsky-Korsakov's The Tale of Tsar Saltan and performed Grimgerde/ Die Walküre with Oper Frankfurt.
Highlights of her concert performances have included the alto solo in Bach's Johannespassion, conducted by Helmut Rilling at the Bachwoche Stuttgart, Debussy’s Le martyre de Saint Sébastien with Symphoniker Hamburg under the baton of Sylvain Cambreling at the Elbphilharmonie and Tippet's A Child of Our Time with the choir of the St. Johannis church Rostock. She made her debut at Festspiele Mecklenburg-Vorpommern in 2015, returning for Mozart’s Krönungsmesse in 2016. Her repertoire also includes Haydn’s Missa in tempore belli, H. Bach’s Lamento, Beethoven’s 9th Symphony, Dvorák’s Stabat Mater, Händel’s Messiah and Rossini’s Petite Mass Solennelle.
Stine Marie Fischer began her studies in Leipzig and completed them in Frankfurt with a diploma and a concert exam. As a recipient of the Erasmus scholarship she studied one semester in Vienna. Her performances in Stuttgart have brought her 2015 and 2017 the nomination "Young Artist of the Year" in the Opernwelt yearbook.